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Spearguns and Sharks - The Battle for Bond

The Battle for Bond was written by Robert Sellers and first published in 2007. This is a fascinating and important book about the
origins of and legal battles over the cinematic James Bond and had
something of a battle itself when the Ian Fleming Estate tried to
prevent its publication. The book examines the theory that the screen
James Bond character established by Sean Connery was not a creation of
Fleming (for his literary Bond was stuffier and more dated) or Cubby
Broccoli/Harry Saltzman but writer Jack Whittingham and maverick Irish
film producer Kevin McClory - who both collaborated with Fleming on an
aborted James Bond film in the fifties. The film never went into
production but all hell broke loose when Fleming, in an act of
incredible stupidity or incredible arrogance depending on your point of
view, used the film screenplay as the basis for his Thunderball novel
without telling Whittingham or McClory. The stress of the court case
that followed is widely believed to have hastened Fleming to his grave from another
heart attack and the victorious McClory was left with legal rights to
make his own Bond film based on Thunderball.
McClory would be a thorn in the side of the Broccoli family for decades
to come, infuriating them by making Never Say Never Again in 1983 and
constantly threatening rival Bond projects or a 007 series of his own,
triggering endless legal disputes. Even up to a few years before his
death McClory was planning a new Bond film with Sony in the nineties,
leading once again to more court battles with MGM and the Broccoli
empire. Who was the enigmatic McClory and why was he so obsessed with
James Bond? What would the fifties Bond film he was planning have been
like? How close did McClory come to making his planned seventies Bond
epic 'Warhead'? Why was Never Say Never Again such a troubled
production? Why did Fleming and Broccoli/Saltzman appear to
underestimate McClory at crucial moments? All of this and much more is
discussed in The Battle for Bond.
This is a must read for anyone interested in the James Bond series and
full of fascinating revelations, quotes and stories. The author
explains at the start that Thunderball is his favourite ever film and
he wanted to write about it in a way that avoided a simple 'making of'
type book. He accomplishes this by telling us the Kevin McClory story
in addition to paying an affectionate and detailed tribute to
Thunderball in all of its aquatic wide screen glory. The McClory story
is fascinating. He got a foothold in films working with John Huston and
had a dream to bring James Bond to the screen for the first time in the
1950s. His partner was Ivor Bryce, a wealthy businessman seduced by the
glamour of the film industry. McClory beavered away and brought in
writer Jack Whittingham to work on ideas he'd discussed with Fleming.
But McClory and Whittingham didn't think much of Fleming's
screenwriting and also thought Bond should be less 'starchy' with more
humour. The fantasy world of Fleming should have more logic and the
sadism and torture had to go. McClory commissioned spectacular art to
show what a Bond film should look like (reproduced in the book) too,
the art evoking the imagery of the films that Broccoli and Saltzman
would make with Sean Connery in the next decade.

Kevin McClory (far right) celebrates after victory in court
There are many entertaining details about the plans for the 50s Bond
film that never was. Fleming wanted David Niven or Richard Burton to
play Bond and Alfred Hitchcock was actively pursued to direct (they
were even prepared to let James Stewart play Bond if Hitchcock wanted).
Hitchcock was interested but eventually went off to make Psycho
instead. Then Bryce and Fleming started to get cold feet about McClory,
feeling he was inexperienced and hopeless with money and accounts. The
author draws on some fascinating documents and papers supplied by Jack
Whittingham's daughter for the book. When McClory took Fleming to court
for using their screenplay for his Thunderball novel, Whittingham only
appeared as a witness because he feared being wiped out if they lost
the case. Whittingham's daughter is less than impressed with McClory in
the book and feels he never repayed her father's loyalty or shared the
money. McClory was someone of great personal charm (who
could apparently name Elizabeth Taylor and Shirley MacLaine as
ex-flames) but someone who was motivated by power and money rather than
any tremendously noble instincts. It's suggested in the book that Bryce
and Fleming underestimated McClory because they were the establishment
and he was the outsider. It's probably part of the reason too why
McClory was so determined to put one over on them.
Another theme is how McClory became bitter at the success Broccoli and
Saltzman had with Bond because it should have been him. It's as good an
explanation as any for why McClory apparently died broke after
squandering fortunes on numerous court cases over James Bond. There is
a lot of entertaining stuff in the book besides the McClory v Fleming
battle with many anecdotes and stories. Terence Young directing a
carnival scene for Thunderball with a styrofoam cup of champagne (which
he complains is too warm!) and being told on the first Bond picture Dr
No 'So, you're the man they've chosen to f*** up my work?' by Ian
Fleming! Julie Christie auditioning for Thunderball in a pair of jeans
and being rejected because her bust is too small to be a Bond girl! The
Thunderball section is very good and a revealing insight into just how
much Sean Connery hated making these films. He loathed the long hours
and constant attention, the author saying Connery called 007 his
Frankenstein's Monster' and would roll his eyes when he was
frequently asked to sign autographs 'James Bond' rather than his real
name. He seemed to dislike Broccoli and Saltzman too on the evidence
here, Connery never feeling that the pair shared the profits as much as
they should have done. The author tells us that inflation adjusted,
Thunderball would have made over $450 million in the United States
alone today, the Connery Bonds dwarfing the current Bond series both
onscreen and off.
The Battle for Bond also looks at the aborted Thunderball remake
McClory had planned in the seventies with Blofeld, robotic sharks and
all sorts of mayhem, and offers an interesting section on the troubled
production of Never Say Never Again. Interestingly, McClory is absent
for this section as the film was handed over to Jack Schwartzman to
produce. Schwartzman was out of his depth though and fell out with Sean
Connery, who he was 'terrified' of. Some nice stuff here from Dick
Clement and Ian La Frenais who worked on the film as writers (they
reveal no one thought the film would ever be released because of the
legal rumblings coming from the Broccoli camp) and the late Irvin
Kershner. Kershner is quoted a lot and says he had no interest in Bond
but directed the film because Connery was an old friend. There were
endless compromises and production troubles and Kershner said it could
have been at least '60%' better than it was.
The Battle for Bond is a must read for anyone interested in the history
of the James Bond series and contains many fascinating revelations and
facts that were new to me. I'd always got the impression, for example,
that McClory had invented SPECTRE and Blofeld but the book states this
was in fact an invention of Fleming. My edition of this has 'The Book
They Tried To Ban!' on the cover and it clearly got a bit of extra
publicity although I'm not completely sure why the Fleming Estate got
so worked up over the book. Presumably it was something to do with the
quotes from some of his letters. This is a really interesting book for
Bond fans though with the only slight flaw of describing entire scenes
from Thunderball a bit too much at times. The behind the scenes stuff
and anecdotes are excellent though and there are some interesting
photographs - including design art for the 50s Bond film that never was
and Warhead. On the whole, The Battle For Bond is recommended and a fascinating read at times.
- Jake
c
2011
Alternative 007
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