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Children of Bond - X-Men: First Class
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The
X-Men were created by Stan Lee and Jack Kirby in 1963 and their comic
became one of the most cultish in Marvel's weekly roster of titles.
Marvel characters tended to be slightly darker than many of their DC
counterparts and X-Men in particular was always laced with social
subtext. The bright yellow spandex clad superhero team are made up of
humans born with the "X-gene". This gene gives them unique powers and
abilities but it also makes them feared by ordinary humans. Those with
the X-gene are known as "mutants" and the prejudice they face often
holds a mirror to our own reality. Racism, homophobia, McCarthy style
witch hunts. A general fear of diversity and anyone that might be
different.Competing for the souls
of these mutants are two old friends who are now pitted against one
another. The X-Men's kind and wise leader Professor Charles Xavier is a
mutant with powerful telepathic abilities and wants humans and mutants
to live together in peace. He runs the "Xavier School for Gifted
Youngsters" where those with the X-gene are taken in and taught to
control their powers with a possible view to becoming X-Men themselves
one day. Magneto is an equally
powerful mutant who can control anything metallic with his uncanny
magnetic abilities. He survived Auschwitz as a child and is determined
that mutants will never be persecuted in the same way that minorities
were in Nazi Germany. He has rejected Xavier's stance and believes
humans and mutants can never peacefully co-exist. Magneto believes
mutants are the superior species and should therefore use their
abilities to dominate humans.The
comic was wonderfully strange and ambitious at times and memorable arcs
like Chris Claremont's fantastic Dark Phoenix saga are still
justifiably acclaimed and celebrated. It was inevitable that the
characters would make their way to the big screen one day but it took
an awfully long time. An X-Men film was first seriously mooted in the
wake of the success of Tim Burton's Batman in 1989 but only really
gained traction in the latter half of the nineties when The Usual
Suspects director Bryan Singer (who had impressed the studio with his
handling of an ensemble cast in that film) was persuaded to sign on as
the director. Singer was reluctant at first but after reading some of
the more famous comics and learning about the history and themes of
X-Men he changed his mind.Singer's
original X-Men (released in 2000) is hardly the greatest superhero film
ever made but it is one of the most important and helped pave the way
for the superhero festooned cinema age that we live in today. The
superhero comic book film boom that Tim Burton's Batman was expected to
prompt had simply melted away in the late nineties. Batman & Robin
had killed the Batman franchise and films like The Phantom, Steel,
Spawn, and Mystery Men failed to find an audience. Studios
now had cold feet about superhero films and Singer had to suffer budget
cuts as a consequence - his plans for Danger Room (the holographic
suite that the X-Men train in) sequences abandoned along with several
characters from the extensive X-Men universe he had intended to use.
The major casualty was Beast although he did turn up in the third film
in the end. X-Men was still though a critical and commercial success
and comic book superhero films were suddenly in fashion again. Within a
few years they were everywhere (Hulk, The Punisher, Daredevil, Hellboy
etc) and the huge success of Sam Raimi's Spider-Man ensured that this
time they were here to stay.In
2003 there was X2 - which was very good. X2 has more action than X-Men
and feels like a more ambitious film. It also expands the X-Men
universe and gives the actors more to do. It isn't Aliens or The
Godfather Part II but it does improve upon the original and manages to
accomplish the seemingly impossible task of making Alan Cumming almost
bearable. X-Men 3: The Last Stand was then released in 2006. This is a
film largely reviled by fanboys for two reasons. First of all it was
directed by Brett Ratner (the man behind those dreadful Rush Hour
films). Ratner (who seems fairly disgraced these days) is just one of
those directors who is always regarded to be a bit naff and rubbish. He
could make Wild Strawberries and no one would give him any credit for
it. The second reason why X-Men 3 is disliked is because it bungles a
chance to do the legendary Dark Phoenix storyline from the comics.In
2011, there was a prequel/reboot to the franchise with X-Men: First
Class - directed by Matthew Vaughn. Mathew Vaughn was actually
contracted to direct the previous film X-Men 3: The Last Stand at one
point but left because he didn't like the way the studio were trying to
make the film so quickly. Vaughn even cast a couple actors before he
departed. Kelsey Grammer is an inspired choice as Dr Henry "Hank" McCoy
aka Beast but Vaughn should probably have served a short prison
sentence for even thinking of Vinnie Jones as Juggernaut. For starters,
Vinnie Jones is just a terrible, terrible block of wood and can't act
his way out of a serviette napkin. Secondly, Jones wears a rubbish
muscle suit and looks nothing like Juggernaut. The character is huge in
the comics. He's like The Hulk and is always destroying entire streets
fighting Thor or X-Force. He should have been CG in X-Men 3: The Last
Stand.The story in X-Men: First
Class is set primarily in 1962 during the Cuban Missile Crisis and
focuses on the relationship between Professor Charles Xavier (James
McAvoy) and Erik Lensherr/Magneto (Michael Fassbender) and the origin
of their groups the X-Men and the Brotherhood of Mutants, respectively,
as they deal with the Hellfire Club led by Sebastian Shaw (Kevin
Bacon), who is bent on world domination. Bacon is a bit hammy as the
villain but then this is not a Ken Loach film so you can't really
complain.
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X-Men:
First Class also introduces new actors to the series including Nicholas
Hoult and Jennifer Lawrence who, like McAvoy and Fassbender, reimagine
popular characters from the franchise (Beast and Mystique) that have
already been established in previous films. This vague alternative
reboot of the X-Men franchise works wonders in reinvigorating a
franchise that was rapidly running out of steam and places to go. By
introducing a fresh cast of younger actors in the roles it manages to
draw new interest in the series and Matthew Vaughn proves to be a good
choice of director. Vaughn can
mesh action and character better than most - at least he USED to
be able to as his career seems to have fallen off a cliff lately. He
seems to be flirting with becoming the new Neil Marshall these days.
Marshall once did great work on Dog Soldiers, The Descent, and Game of
Thrones but his last batch of films have been unwatchable dreck. Vaughn
seems to be heading down that path. There are those who say Vaughn was
never much good to begin with but I think films like the first Kingsman
and Kick-Ass are great fun for what they are. The fact that Vaughn no
longer has Jane Goldman writing his scripts might be a factor in why
his films seem to be rubbish now. It could simply be the case that
Vaughn never had that many good films in him and has passed his sell by
date. I don't really know. Anyway,
Vaughn's obstreperous directing style is a good fit for a comic book
film. One of the most enjoyable aspects of X-Men: First Class is the
James Bond quality it has at times and the way it deliberately harkens
back to the sixties Bonds. Michael Fassbender is very suave as a young
Magneto and makes you wonder at times why he didn't get strongly
considered for the 007 role when they replaced Pierce Brosnan. Perhaps
he wasn't well known enough back then? James
McAvoy is also very good as a young Xavier and he and Fassbender lend
class and gravitas to the scenes they are in. The setpieces are well
staged and enjoyable and it's fun to see the yellow spandex costumes
from the comics make an appearance. The only strange note is the way
that Mystique, a supporting villain character in the original trilogy,
is now almost like the leader of the X-Men and a main player. One
presumes this is because Jennifer Lawrence took over the part and was
becoming a big star. They clearly wanted Lawrence front and centre. X-Men:
First Class is no masterpiece but it did feel fresh at the time to have
an X-Men film directed by someone other than Bryan Singer (though to be
fair to Singer he did return with Days of Future Past - his best X-Men
film and one that amusingly retconned X-Men 3 out of existence). Brett
Ratner's X-Men film felt very rote and by the numbers but X-Men: First
Class is much more inventive and interesting than that misfire. X-Men:
First Class feels a bit small scale compared to later superhero films
but that's by no means a bad thing because most of us are bored to
tears now of CGI cities being destroyed and third acts full of
bombastic soulless computer generated carnage. X-Men:
First Class gave what seemed at the time like an ailing franchise a new
lease of life and is pretty good fun. It has some shrewd casting and
serves as an interesting and welcome detour away from Bryan Singer's
domination of this franchise. Singer eventually blew up his own
franchise with the dreadful X-Men: Apocalypse and then we got the damp
squib of Dark Phoenix. I'd probably rank First Class as the third best
X-Men film after X2 and Days of Future Past but there isn't that much
between them.- Jake
© 2024
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