The Man With The Golden Gun Review
"To us, Mr Bond, we are the best."
The Man With The Golden Gun was the ninth film in the James Bond
franchise and the second outing for actor Roger Moore. It was released
in 1974 when the energy crisis was headline news and the United Kingdom
still stood a feasible chance of getting a couple of points in the
Eurovision Song Contest. The plot of The Man With The Golden Gun
involves Francisco Scaramanga, a refined and expensive 'Hitman' with a
big reputation. Scaramanga is especially famous for using a 'Golden
Gun' to kill his victims. He sends MI6 in London a golden bullet with
the numbers '007' engraved on it. It's a clear message that he intends
to kill James Bond next. Bond had been on the trail of a 'Solex
Agitator', a gadget that can harness the power of the sun, but is now
ordered to take some leave lest he should be killed by Scaramanga. Bond
being Bond though, he decides that he will go and find this Scaramanga
character first. Soon, 007 is playing a game of wits with the 'Solex'
and his own life at stake...
The Man With The Golden Gun follows on much in the manner of previous
entry (and Moore debut) Live And Let Die. It's fairly lightish in tone
with a creeping emphasis on humour and visual jokes. The film was moved
fairly quickly into production soon after Roger Moore's debut, a move
intended to help establish the actor as James Bond to audiences who
were probably still wondering when Sean Connery was going to return.
The film tends to rank at the bottom of many anorak best James Bond
film lists but I think this is unfair. It's not vintage Bond or classic
Bond but The Man With The Golden Gun is a classier and more
entertaining film than a lot of people have given it credit for over
the years. It lacks the scope of some other films in the series and is
saddled with a topical plot device which dates it somewhat, but The Man
With The Golden Gun is a colourful and likable enough addition to the
series and has a certain amount going for it.
The film has a strange pre-credit sequence that is very interesting
because it is so strange. A stereotypical Mafia type character arrives
on Scaramanga's private Island in the Far East. He appears to have been
hired by Scaramanga's diminutive manservant Nick Nack to kill his boss,
but all is not what it seems. The Hitman is there to give Scaramanga a
bit of target practice in his funfair style 'Hall Of Mirrors'. The
bright colours and visuals in these scenes look great on DVD. It's all
very strange and entertaining although for the second film in a row
Bond doesn't really feature in the PTS. Maurice Binder's titles are not
his best ever and John Barry later confessed that Lulu's song was one
of the weakest Bond themes for him. Personally, I thought the song was
reasonably catchy and camp in a seventies James Bond film sort of way
and have never had a major problem with it.
The majority of the film is set in Hong Kong and the Far East and The
Man With The Golden Gun can be praised for its atmosphere and colourful
sense of location. It never quite pays off its fascinating premise but
it does have a lot going for it. There's a fantastic car chase scene
which builds up to an amazing 'spiral' car stunt involving the
fragments of a 'bendy' bridge. And of course a very well done fight
scene between Bond and some heavies in a belly dancer club in Beirut.
Roger Moore has a funny quip at the end and writer Tom Mankiewicz gives
Bond some decent lines throughout the film. I think Mankiewicz says on
the DVD that Moore knew his way around a comedy moment or scene better
than Connery so they upped the jokes. The moment where Bond asks why
anyone would have a motive to kill him is good fun. "Jealous husbands!"
replies M. "Outraged chefs! Humiliated tailors! The list is
Popular criticisms of the film are usually aimed at the increasing
slapstick humour and innuendo. Clifton James returns as Sheriff J.W.
Pepper and is soon embroiled in comic capers involving elephants and
falling into a river and later we get kung-fu schoolgirls. The film
perhaps also lacks the huge grand scale set-pieces that you would
usually expect from a James Bond film. A few more cliffhanger type
situations world have been helpful. And Britt Ekland as Mary Goodnight
ranks fairly high on 'Most Annoying Bond Girl' lists. To be fair she
isn't helped by the way her character is written, but she does look
good in a bikini!
The biggest thing the film has going for it is the great Christopher
Lee as Scaramanga. Lee (who is related to Ian Fleming in real life) is
great in the film and appears to have relished the chance to be a Bond
villain and escape from a Hammer Dracula set for a few months. He's set
up as the 'flipside' of Bond. Both are killers, both are refined, but
one works for his Government and one is a free agent. Scaramanga is
eager to discuss this theme with Bond in the film and Moore and Lee
have some decent exchanges and scenes together. "At a million dollars a
contract I can afford to, Mr Bond," says Scaramanga after Bond comments
that he lives very well. "You work for peanuts, a hearty well done from
Her Majesty the Queen and a pittance of a pension. Apart from that we
are the same."
Hervé Villechaize as Nick Nack is a strange piece of casting
that just about works. It was a nice twist on the 'Oddjob' type
assistant/henchman. Maud Adams as fine as Andrea Anders and adds a
classy presence to the film. Bernard Lee and Lois Maxwell are of course
in the film as M and Moneypenny and Desmond Llewelyn makes a welcome
return as Q after missing out on Live and Let Die. And, thankfully, The
Man With The Golden Gun is aided by the return of John Barry, the
composer who always most seemed to fit the cinematic James Bond.
Barry's score in this film is not regarded as his best ever but it's
One other thing that should be mentioned in any review of The Man With
The Golden Gun is the wreck of the RMS Queen Elizabeth in Hong Kong
harbour which is used as a secret HQ for MI6 in the film. This topsy
turvey location with slanted rooms is a nice offbeat touch and adds to
the slightly strange atmosphere of the film.
Roger Moore is still not quite settled on the best way to play James
Bond here. There is a moment in the film where he smacks Maud Adams
around to get some information and it really doesn't suit his
interpretation of Bond. His third film was the one where he finally
established himself in the role and seemed to find the right balance to
suit his own persona. On the whole though Moore is very polished and
competent in the film and although a departure from Connery/Lazenby,
managed to grow into the role and prove that different actors could
keep it going.
The film is entertaining although the pace does slacken now and again.
It's not a lavish action-fest like some of the other Bond films but
compensates with a good sense of atmosphere. Scenes in real locations
like a kick-boxing fight add a nice air of authenticity to the film.
The climax on Scaramanga's private island is good fun with solar guns,
liquid helium pools and some crisp banter between Bond and Scaramanga.
It becomes a bit silly at times but, as I never tire of saying; it's a
James Bond film.
Overall, The Man With The Golden Gun is a colourful and underrated addition to the series.