|
James Bond and the Alpha Male by Brandon

Like many of us who visit this site for opinions that are a bit more
open than those on typical fanboy sites, I don't like Daniel Craig
playing James Bond. In my case, however, it is not just because
of his joyless performance in Casino Royale. Nor is it even
because of his completely unremarkable looks, blond hair, and short
height. No, I come at the equation from a different angle because
of my own past experience as an US Army Ranger, West Point graduate,
and leader of men under fire. All of my life I've had to asses
the strength and character of other men under extremes of pressure and
this has now influenced my view of Bond. I simply will never be
able to accept Craig as James Bond because I know that he is a beta
male fatally miscast in an alpha male role.
What is a beta male? Various definitions can be looked up on
Google but essentially the Urban Dictionary defines it is "An
unremarkable, careful man who avoids risk and confrontation. Beta
males lack the physical presence, charisma and confidence of the alpha
male. In modern society an alpha male not only requires physical
prowess, but also confidence and attitude. The beta male of
modern society usually, only has one of these traits, if any. The
beta male tends to be smart, quiet and un-confrontational.
I personally knew Craig was a beta male when I saw the video of the now
infamous London press corps introduction for him as Bond in Casino
Royale. I first picked up on it in his slack gait as he walked
onto the pier, then noticed his uncertainty and discomfort in front of
the reporters, and finally saw him constantly defer to Barbra Broccoli
and Martin Campbell in answering the questions - all of these actions
were subtle but unmistakable signs of beta male behavior.
In my opinion the first priority of casting for any alpha role is
choosing an alpha male actor, a man that male moviegoers can respect
and find believable. This casting principle has also been
synonymously summed for 007 up in the pop culture description of James
Bond as "someone every man wants to be like and that every woman wants
to be with." But when you think about it, this description
broadly works for all other alpha male roles as well. For
example, I would argue that only an alpha male actor like Russell Crowe
as Maximus could have driven Gladiator as successfully as he did.
This is also how Arnold Schwarzenegger more than competently carried
off True Lies, a movie which might arguably have ended up as the best
"Bond" film of the 1990's if Schwarzenegger could have played Harry
Tasker with a full suite of 007 movie motifs and not just the
tux. Daniel Craig, however, is clearly no alpha male actor and as
such he will never become a classic James Bond to me. Instead I
believe he will progressively lose more and more of the male movie
market over time. This has already started happening here in the
US where Casino Royale failed to draw as many males into the theatre as
Brosnan's last film. I suspect that now with the curiosity factor
gone, even fewer men will return for a second helping of Craig in
Quantum of Solace.

But how did we end up with Craig even being selected in 2005?
Blame it squarely on the feminist movement of the past 40 years because
before modern political correctness appeared Bond was simply a cool
fantasy character created by men for men. In his novels Ian
Fleming had colorfully and unapologetically cast James Bond with all
the rough edges you'd expect of a man caught up in the early Cold
War. Admittedly producers Cubby Broccoli and Harry Saltzman
refined the edges a bit to bring 007 to the big screen, but these
visionary men still knew better than to grind away too much of Bond's
raw nature. As a result James Bond began life on the big screen
as a purely misogynistic scoundrel, but despite this (and perhaps even
because of it) he appealed equally to both male and female audiences.
However, the more popular the Bond movie franchise became the more
pressure the feminist movement put on the producers to tone down the
gratuitous misogyny. We certainly saw the effects of this in the
films as 007 became increasingly better behaved and softer over time...
less sex, less smoking, less drinking, and, frankly, a bit less
interesting too. There also began a false notion that in order to
boost the general appeal of the movie among female audiences, strong
women needed to be cast alongside Bond. I still chuckle every
time I watch a 007 documentary and hear each actress claim in turn how
their particular Bond girl character was not just a pretty face but
rather James Bond's equal. Oh, really? The height of the
absurdity came after Die Another Day when the suggestion was floated by
the producers that Halle Barry was so strong in her role that she could
even carry a Jinx spin off movie. How laughable! It is
counter to James Bond's very nature to need any woman, much less an
equal, and it is exactly this kind of raw independence that
fundamentally makes him and other alpha males so irresistibly
attractive to women.
Unfortunately the Bond franchise was eventually doomed to cave-in
completely to this trend because the sole remaining producer, Cubby
Broccoli, lacked any real alpha male heirs to hand over the business
too. The franchise was instead given to his daughter, Barbara,
and his beta male son-in-law, Michael Wilson. Neither of these
two producers understands to this day what Bond's appeal to audiences
is fundamentally about. Yet they infuse their opinion and
preferences into casting, scripting, and filming at every stage.
And if there never was a better example of nepotism leading to
mediocrity, Casino Royale finally gave Babs and Michael the chance to
recast James Bond completely in their own flawed, feminized vision of
what a modern spy should be - a 007 that actually needs and seeks
refinement by female accountants and bosses, a Bond with finger-sucking
sensitivity to others, and a spy with a relationship naivety that is
utterly unbelievable for anyone over 25. And it wasn't enough to
figuratively turn Bond into the cinematic equivalent of a love-struck
"girl" with the reboot plot of Casino Royale. They had to do it
literally as well by having Craig pop out of the ocean in the swim
trunks just like Honey Ryder in Dr. No. Never before has Bond been so
shamelessly objectified and emasculated.

But then again we've come a long way with Bond since Connery set the
standard for actors in Dr. No. Although Roger Moore and Pierce
Brosnan had the right facial look for Bond, they played Bond with a bit
less raw machismo and gravitas than their predecessors.
Essentially they became the charming British MacGyvers of the Bond
world who largely used technology and intelligence to outsmart their
adversaries instead of raw muscle and brute force. Timothy Dalton
is a bit more difficult to characterize broadly because he attempted to
play a tougher and more realistic Bond. But despite the grittier plots
he was given, I always had the gut feeling that in real life Timothy
was just a sensitive, sweet teddy bear actor turning in a performance
as a hard-edged Bond on screen. In other words, there was still a
beta male - alpha male disjunct.

So aside from Connery which other Bond's had sufficient personal
gravitas? For alpha males the only other actor to have
indisputable credibility in the role was George Lazenby. Even
today it is still quite obvious from watching OHMSS that Lazenby moved,
fought, and held himself with commanding authority as James Bond.
Moreover, as an actor he was also notoriously headstrong on the set
which led to a few clashes with both the director and other cast
members. Realize, however, that creating confrontation is an
alpha male quality. And although this may have made Lazenby
difficult to work with, at least we know from it that he was his own
man both in life and on screen, period. It made him
believable. Craig has none of these personal qualities; he's an
actor just trying desperately to fake them for us on screen.
Even so, after seeing Casino Royale I suspect that Daniel Craig's
version of Bond is not a man that most of us would ever want to
be. In fact I have to wonder how many of us might even feel that
we now do it better personally than this Bond. Certainly ever
since Casino Royale came out I can honestly say for the first time my
life that I now easily look better than James Bond. And I'm 44
years old today against Craig who was 38 in the movie. It's all a sign
of something being seriously wrong with the world of Bond to be able to
contemplate these things. Bond should always be clearly
better than all of us but yet these days he is not. Alas, I've
resigned myself to the conclusion that as long as 007 remains as
ordinary and mundane as Daniel Craig, I'll simply stick to the classic
Bond films.


Still, despite the fact that I've personally lost interest in seeing
new Bond movies I regret that Barbara Broccoli and Michael Wilson have
fundamentally ruined both the character as well as the last franchise
alpha role left to play in Britain. Now all of the remaining
franchise alpha roles are likely to be American - Jason Bourne, Indiana
Jones, Batman, James T. Kirk. Not coincidentally I notice many of
you also mentioning these characters on the forums as alternatives to
Bond now. Hollywood will always happily fill the breach, but the
greater problem here is that losing a character role with the
quintessential British style of James Bond will only make for a more
vanilla, more generic, and ultimately more boring world. Style
does matter and it is entirely worthy of a separate discussion as it
relates to Bond. If I can get to it sometime soon that will be
the subject for my next topic. In the meantime I hope this
different angle on James Bond has at least made for an entertaining
read. Cheers, everyone!
- Brandon
c
2008
Alternative 007
|

|